Valeria Golino on cinema and Covid

FT: The UK will approve subsequent week the anti-COVID-19 vaccine developed by Pfizer and BioNTech. Deliveries will start in a couple of hours

The primary immunizations with the vaccine created by Pfizer and BioNTech will happen beginning December 7, the Monetary Occasions additionally wrote, citing sources.Additionally on...

Second spherical in Brazil: keys to municipal elections that put Jair Bolsonaro in examine

Mayors are elected in 57 cities, together with the giants São Paulo and Rio de Janeiro. The middle-right takes maintain and the president...

Tabaré Vázquez suffered a deep thrombosis and his well being is delicate

The previous Uruguayan president is combating lung most cancers. He's at residence, as he most well-liked not to enter the hospital.Former Uruguayan President...

They extract a coin from a person that he caught in his nostril 53 years in the past

Medical doctors in Russia have extracted a 59-year-old man a coin that the affected person had entered his nostril when he was a baby...

Ethiopian prime minister says capital Tigray has been taken

Mekelle, the capital of the rebellious northern Tigray area of Ethiopia, has been taken by the federal government military. Prime Minister of the...

Presenting the film Fortuna together with director Nicolangelo Gelormini and colleague Pina Turco, in the Official Selection of the Rome Film Fest, the Italian actress and director spoke about the current situation of our cinema, put to the test by the pandemic.

“The period is not the best, there is fear and turmoil, and we hope to leave it behind soon. But for us who make films, the work is there.”
To speak is Valeria Golino,, actress and director who certainly needs no introduction and who is one of the leading adult performers of Fortuna, work before Nicolangelo Gelormini previewed today at the Rome Film Festival.
There is a great need for images around, and the more sovereign streaming platforms become, the more product is needed. So for us insiders the problem is not work: the problem is the possible loss, along the way, of the cinemas, of the theater experience. It is scary to think that, in a situation like this, cinema can be considered something more, something superfluous, an experience that can be renounced..”
Referring then to the law decrees that leave cinemas operating, with a maximum ceiling of 200 spectators per show, Valeria Golino he comments bitterly: “Maybe 200 people in the room these days.”
Her director is more optimistic than she, Nicolangelo Gelormini, which argues that “as long as the Church hesitates there will be cinema: both offer the same liturgical experience. We are experiencing a phase of transition, but the need for simultaneous sharing will help us.”

trending

Related Articles