The best of jokes explodes like a nuclear bomb if it falls in the wrong place
They had America’s best comedic talents, both in the writing room and on camera; Their flag and host was Dana Carvey, one of the most popular and beloved faces on TV, and they had been programmed in the prime time of the most watched free network in the United States, which gave them carte blanche. We would have to go back to Orson Welles and the contract he signed with RKO to film Citizen Kane to find another example of such resounding confidence from the entertainment industry with someone’s talent. And yet The Dana Carvey Show It only lasted seven programs on the air in 1996. The eighth was recorded, but not even broadcast, topping off one of the most notorious failures in television history.
The protagonists of the fiasco tell it in Too Funny To Fail (on Filmin until the end of the month, within the Serializados festival): in the first five minutes of the first program they lost six million viewers. Virtually everyone turned off the TV, disgusted. The first sketch it showed Bill Clinton with eight breasts nursing a doll and half a dozen cats and dogs.
No matter how great they were, the best of jokes explode like a nuclear bomb if it falls in the wrong place. There is a slogan on open TV that says “know your audience!”, Know your audience. These guys not only didn’t know her, they hadn’t even thought that there was an audience on the other side.
In the long run, its failure was providential and pedagogical, since it opened new possibilities to an adolescent and scary public, and all the comedians who participated had impressive careers that changed television. But in 1996 he showed that the limits of humor were imposed by a family man with his remote control.