The Argentine Dance Firm opens 2021 with the premiere of Rumanescas: every panorama, a stage

The mission, directed by Analía Domizzi and made up of dancers of various types, took form and was put into motion throughout the pandemic.

Create a dance firm and to current it in these troublesome occasions appears an nearly quixotic act. Nevertheless, that is what a gaggle of dancers from completely different origins, led by Analía Domizzi, a retired dancer from the Teatro Colón and present creative assistant of the Nationwide Folkloric Ballet.

The total story is as follows: Model new Argentine Dance Firm was born on the finish of 2019 prompted by an invite Analía Domizzi had acquired from a dance competition in Turin, Italy. It goes with out saying that the competition was suspended, that it’s rescheduled for 2021 and that within the meantime the group determined to take motion and recreate in Rhizomes, in a collection of digital kinds, these concepts that originally the director had fastidiously famous down in a pocket book Gloria together with innumerable notes and sketches.

He did it “taking benefit that good side that the quarantine gave us: having extra time at our disposal, “in line with her personal phrases.

CAD is a heterogeneous group composed of dancers from completely different backgrounds: Candelaria Torres, Gabriela Ponce de León, Jimena Visetti and Rodrigo Colomba are a part of the Nationwide Folkloric Ballet. Nicolás Baroni joined the UNSAM Dance Group that till two years in the past Oscar Araiz directed. Jeremías Vizcaíno made his profession of dancer within the UNA. Gaston Gatti and Romina Caffarati come from tango; Kimelén Fernández, Manuel Labarraz and Iara Abdol are from the world of folklore.

The unique work, conceived for the Turin competition, in fact has a scenic format and its supply of inspiration was the works of the Argentine painter Antonio Berni that painting very various areas of Argentina. This range additionally seems in Rhizomes, by way of the dances of the coast, the northwest, the middle of the nation and town of Buenos Aires. When the presentation in Italy is definitely accomplished, Marianela Núñez and Alejandro Parente will be a part of the corporate.

Domizzi says: “It appeared stunning to me that Marianela and Alejandro accompanied us dancing Kicho, a choreography by Julio López on music by Piazzolla. I felt that in a piece solely constructed with an Argentine language it was very wealthy to have the ability to present the refinement that this language can obtain when it communes with classical dance. For Marianela it’s not troublesome, being in London, to go to Italy for these two performances ”.

The video-dance that they premiere now, Romanian, It is finished on a rating by Béla Bartók: the music weaves collectively dance scenes taken in probably the most various areas. With a really stunning version, the dancers (in duos, quartets or alone) seem on the imposing steps of the Regulation College of Buenos Aires, in an previous practice station, in a Pampean subject, in a Tandil forest …

-What you about Bartók’s music?

-I discover it very fascinating to have the ability to intervene in our dances with music that’s alien to it and thus discover sure hyperlinks. We are actually making ready for this similar digital cycle Surero in Chopin, southern malambo on chopin music. After which we’ll Folias, previous Spanish music during which I see, and hearken to, chacareras and Creole “triumphs”.

-Though you studied on the Instituto del Colón and had been a part of its Ballet, you had been at all times linked to folklore, proper?

-Completely. I danced folklore with my trainer Hector Arico as much as 27 years. At the moment I managed contract on the Ballet del Colón as a result of till now he was a member of the dance corps, however not in a secure method. Curiously, at the moment I had additionally entered the Nationwide Folkloric Ballet contest, which was created that 12 months, 1990. So I needed to determine whether or not to embark on one river or the opposite. I selected the Colon, however curiosities of destiny, for a couple of years now I’ve been a choreographic assistant on the BFN.

“Rumanescas” might be out there from this Saturday, January 2 at 20 (after which stays) on instagram: @ cia.argentinadedanza, with free entry




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