This was confirmed from the coastal city by the Minister of Production of the Province of Buenos Aires. Carlos Rottemberg says that it is “an unprecedented event”. And it is awaiting the decision of Córdoba and the City of Buenos Aires.
From the Twitter account of Multitabaris / Multiteatro Comafi, rooms managed by the producer Carlos Rottemberg, revealed what many did not want to hear or read about the summer art season on the coast. “Now live: the Province of Buenos Aires has finished confirming in a press conference from Mar del Plata that the theaters will not be allowed to open during the season. A definition that hits our activity hard”says the tweet.
From that message from the playwright, the wave of opinions lit the flame of controversy, about why there are activities that can return, such as soccer, and others, definitely not.
The Minister of Production of the province of Buenos Aires, Augusto Costa, drew this Monday afternoon, from an act held at the MAR Museum in Mar del Plata, a panorama of the activities during the summer season, where he announced that “There will be no entertainment and recreation in closed places,” including theaters.
In the company of the governor Axel Kicillof, the official specified that the veto of closed places due to the pandemic also reaches casinos, bingo halls and bowling alleys.
A few minutes later came the tweet from Multitabaris / Multiteatro that opened the issue for debate on the networks. The theater industry was betting, as a last hope, on the chance of being able to put on shows in the summer, an activity totally stopped since March.
Sources linked to the stage activity indicated that the businessmen gathered in the Argentine Association of Theater and Musical Entrepreneurs (AADET) analyze delivering an official communication on this decision of the Buenos Aires Government.
In communication with Clarion, in this rainy evening, Rottemberg pointed out that this decision that covers the rooms of the entire province of Buenos Aires “it is being observed very carefully in Córdoba, because there are theater players all over the country. “
He added that “the movement that Villa Carlos Paz expects throughout the year for the summer is not less. The position there is not resolved. This also goes hand in hand with what ends up happening in the City of Buenos Aires, which, according to we are looking at the health curve, should be the square that opens first. It is always important to mark what would be done with a health protocol that was presented a long time ago, very worked at that time. And that, obviously, must be met. I will not tire of repeating: the first interested in taking care of health are the theater players. We also work in theaters“.
And, in statements made by way of a virtual press conference, he acknowledged that “few times I did not have a solid answer to what comes across me, while I’m shocked by the latest news that have to do with the closure of our activity in the Province of Buenos Aires next summer “.
A reference to the theatrical activity, he pointed out that it is “a year that, in my case, I was clear that I was lost from the beginning. I made it public in March, when I said that our activity went against the current of what the health of the world demands in relation to open spaces and social distancing. We offer the opposite. But I always believed that, based on the protocols, Theaters are not infectious sources, precisely, but what we force ourselves to do is to comply with the measures as it should be, taking care of the health of spectators and workers “.
And he clarified that “in the case of the City of Buenos Aires we will wait for the next meeting on Thursday, with the Minister of Health Fernán Quirós, to be able to exchange opinion. Now, the concern is for the entire Atlantic Coast, from San Clemente del Tuyú to Las Grutas, with its epicenter in Mar del Plata, city that I would see for the first time without being able to raise canopies, an unprecedented fact. In my case I need a few hours to assimilate and think “.
While waiting for decisions to be made in other places, he confesses that “I continue to respect the virus as an enemy in the first place, but that does not prevent me from putting an emphasis on defending the activity.” And read the need for theatrical opening “not as something economic, but as a cultural resistance”.