Archaeologists suggest that cave painters and painters may be drugged due to lack of oxygen in the cave, which is an effect they are willing to look for.
Most interpretations of the meaning of rock art have to do with ritual dances, requiring gods to support the hunting of mammoths and bison. They are even related to cultural behaviors carved on stones, a way of leaving customs, experiences, etc. But what if something happens and they are having a party?
According to the research of archaeologists, a new explanation is that when they paint, they may be drugged.
The lack of oxygen in the cave indicated that under the shining of the torch, within a few minutes, a group of people (no matter how small it was) would inevitably imply a change in the state of consciousness.
It is difficult to obtain proof without a time machine, but there is no doubt about the modeling of oxygen concentration in these spaces.For example, if you want to understand paintings from 14,000 years ago Pergouset cave, France You must walk through a 150-meter underground corridor.
This can explain why many rock art works are painted in deep rooms that are difficult to access and may even be dangerous.
Yafit Kedar, a graduate student at Tel Aviv University, proposed a novel explanation: artists tried to go deep into the cave to reach a higher level.
“Hypoxia increases the release of dopamine in the brain, leading to hallucinations and in vitro experiences”
The artists had to carry torches. If air flows through a narrow opening, the fire will consume a lot of oxygen. Hypoxia increases the release of dopamine in the brain, leading to hallucinations and external experiences.
Even under legal restrictions, mind-changing drugs have contributed to many of the arts we love today. For religious purposes, mushrooms containing psilocybin and mescaline have survived to modern times, but there is no evidence that they were used in Paleolithic Europe. Will the early artists who left a permanent impression cause similar effects due to lack of oxygen?
Artists may not understand why poorly ventilated spaces will affect them like they did, but the author wrote: “We believe that entering these dark and dark environments is a conscious choice, and the motivation is to understand the changes in space. The essence. Oxygen.
Rock art is widely distributed around the world and varies from region to region. In some places, most of the space is left in the open space, so that Kedar’s theory cannot explain everything.
However, the article points out that among the nearly 400 decorated caves in Western Europe, most of the life takes place in the area near the entrance, which is usually unpainted.
The Rouffignac cave in France is 730 meters from the entrance and has a wealth of art.
Kedar simulated the conditions in these caves based on the available ventilation and lighting needs. In the past 15 minutes, the oxygen level has fallen below 18% (the level at which the human brain is first affected).
The most extreme effect occurs at an oxygen concentration of approximately 14.5%. The level of oxygen reached depends largely on the height of the inlet. The author concluded that with a step length of 1 meter, the concentration may be reduced to 11%.
Some of these caves, including the famous Lascaux, also have naturally occurring gas, which may have played a role.
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