Berlanga is hard to recognize Thursday, miracle, Movies you can enjoy on Flixolé today As a film completely his own, this is because it has many problems with the censorship system. But there is no doubt that this is a movie that reflects his taste at the time.
Just like his previous movies, Welcome mr marshall Ø gourd Can also be used in Flixolé It depicts the life of a small town. For Berlanga, towns are important because the hopes and aspirations of Spanish society can be seen better than anywhere else.
After learning that the Virgin Mary allegedly appeared in a small town in Castellón, Bellanga He clearly sees this: it is necessary to show the commercialization of faith and its exploitation of tourists. But as always, his movies are in Berlanga Collective failure. In this case, the life force of the previously glorious people decided to create miracles to attract tourists, thereby making themselves wealthy again.
But the problem started even before the scroll. Berlanga has sold the script to a production company that was absorbed by the larger Opus Dei during the pre-production period, which is not clear to Berlanga’s desire to satirize religion. They asked for many changes and hired a pastor as a co-author, who was the creative author of the second part of the film.
Producer to hire Jorge Grau This way he recorded more shots that could change the end of the movie. Then came the censorship system, which cut many people, making Berlanga’s original idea unrecognizable.
But even so, Berlanga believes Placid already National heritage, This is his best film. Here you have not created a famous continuous shot, although there are a few. However, the purpose of the crane, tracking and depth of field make sense. Berlanga makes full use of the ellipsis, so he is very sure of himself technically and narratively. And he really wants to tell a story. This story is not an individual but a collective, which is why the performance is based on a principle: not to isolate the characters, but to always show them together as a whole.
Berlanga’s fifth film wanted to be a comedy with a traditional color, telling some aspects of the popular at the time. Despite the censorship system, he succeeded. Thursday, miracle It is pure Berlanga. No one is saved in this irony. In this irony, faith and barbarism go hand in hand, reminding us that there seems to be nothing.