For Giovanni Veronesi, the movie, which is able to air on Sky on December twenty fifth, is just not a sequel to Musketeers of the King, however a brand new movie with the identical characters and a need to return to childhood.
At one time the musketeers had been the Italian comedy Alberto Sordi, Ugo Tognazzi, Vittorio Gassman, Marcello Mastroianni and Nino Manfredi.
The musketeers of at this time – at the very least within the cinema they’re – are known as Pierfrancesco Favino, Valerio Mastandrea and Rocco Papaleowhich is in All the pieces for 1 – 1 for all they return to play the position of D’Artagnan, Porthos and Athos already worn in The King’s Musketeers – The penultimate mission (Sergio Rubini, who was Aramis, is just not right here; however in some way there is similar factor, and I cannot say extra in order to not spoil).
“It is not a sequel,” he says Giovanni Veronesi, Director and screenwriter of each movies. “”The characters are the identical, nevertheless it’s not a sequel. “He could also be saying this to justify the truth that on the time of Musketeers of the King He had stated there could be no sequel and added, “I solely inform lies in my life.” However what Veronesi likes, apart from telling lies, is “the concept of all the time working in the identical actors with a bunch of individuals and making movies which can be enjoyable.” Cinema could be a recreation, however I am a type of for whom the sport has very particular guidelines to comply with. And this movie straight from this space stuffed with guidelines to respect childhood. “
Sure, as a result of in All for 1 – 1 for all the kid performed by Federico Ielapi that appeared on the finish of Musketeers of the KingWhat we had seen was the fruit of his creativeness and returns from the primary minute on this movie to catapult us again into seventeenth century France, freely interpreted Veronesi and to inform the story of a latest Musketeer mission that had a lot to do with a curly boy named Buffon.
“”I would come with the youngsters in all of the tales, I am telling the reality“admits the director.” I like to inform my childhood recollections – the older I get, the extra childhood recollections will assault me – and there are numerous of me as a baby on this protagonist. And pairing that child with the musketeers appeared very good to me as a result of they’re actual childhood superheroes. “
All the pieces for 1 – 1 for everybody: the trailer
“”I’m very glad to play D’Artagnan once more, “Dice Pierfrancesco Favino“I really like him very a lot, this character.” And Favino D’Artagnan likes it as a result of “Permit your self to play the kid, not who you had been however who you at the moment arewhich makes you trip a horse and duel with the sword, however most of all, which lets you take your self much less significantly. “
Of All for 1 – 1 for allwhat drives comedy much more than in Musketeers of the King, broad bean The truth is, he beloved greater than something “the loopy linethat lets you act with trendy references even in a seventeenth century movie. D’Artagnan is a personality I really like as a result of he does not restrict me to the possible that I normally cope with, however he offers me extra space. And at this time greater than ever, even within the cinema, we have now to transcend our habits. “
The reference level is in fact the tough time of yr that we’re experiencing because of the pandemic. “”Creativeness is key and essential at this secondand one of many causes I am excited to see this film now could be as a result of a film performs rather a lot with fantasy, “he says. broad bean. “In the present day There’s a nice want for lightness and tendernessand these are the messages that this movie incorporates in a comedy key. “
“Creativeness is why so many people do that job. And I like making folks snicker once I can: possibly extra in life than in work,” he provides. Valerio Mastandreawhich invitations us to not distinguish between actors and comedians as a result of all of them do the identical job. “We do not have to distinguish between actors, comedians and acrobats,” he confirms Rocco Papaleo. “Crucial factor is the credibility we gave these characters.”
Along with fantasy and freedom, it’slove one of many primary themes of All for 1 – 1 for alland therefor Giuseppe Veronesi had the choice to incorporate within the movie’s soundtrack “The Remedy” by Franco BattiatoWhat he defines “the love track par excellence for the final thirty or forty years. Battiato hadn’t allowed another movie to make use of the track earlier than us, however like Celentano for Musketeers of the King gave us a reward. “
And I communicate from first time in cinema and music to be highlighted in All for 1 – 1 for all is the way in which of Giuliano Sangiorgi, Buddy of the director, in addition to one other common character who seems within the movie, Adriano Panatta. And when the tennis participant jokes that he’s “dressed like my Aunt Teresa”, we are saying Sangiorgi in his film Veronesi says: “and the identical Lucio Dalla. In the event that they do a biopic, he is prepared. “
Because the cinemas are nonetheless closed and there’s no concrete information about their reopening, Tutti professional 1 – 1 per tutti will probably be broadcast on Sky on the night of December twenty fifth at 9:15 p.m. and are additionally obtainable on request and as streaming on NOW TV.
“I am sorry the movie is not popping out, however Sky took us in like orphans and made us properties,” he feedback Veronesi.
“This movie is the primary in a protracted sequence Heaven authentic, “Dice Nicola Maccanicowho’s govt vp of programming sky and CEO of Imaginative and prescient distribution. “We predict cinema is a strong leisure mannequin that has a giant perspective, however cinema is just not the one potential mannequin. In the present day cinema can go the place persons are and Sky connects cinema with the general public. The occasions within the corridor are basic and irreplaceable, however the occasions also can happen on a platform like Sky. And for the Sky Originals of the long run, “he explains,” there will probably be editorial and positioning freedom, with some movies being designed for the theater and others for the platform. “